Enjoy!

Thanks for the footage, Kai!

Hasselblad 500 c/m body, waistlevelfinder, magazine, darkslide.
Eexcellent technical condition. wear/working marks on the mag.
optional:
Carl Zeiss Sonnar 250 mm lens, excellent condition, like brand new.

Sample image taken with that lens

Yashica Electro 35 GTN *** S O L D ***

Yashica Electro 35 GTN
rangefinder camera for 35mm film
Yashinon Color Lens 40mm/F1.7 w. rubber lens shade
Snap-On lenses for wide and tele incl. extra viewer.

excellent technical condition, some wear/working marks.
new seals, adjusted lightmeter, battery adaptor for 4LR44 batteries

Zeiss Ikon Contaflex Super BC *** S O L D ***

Zeiss Ikon Contaflex Super BC automatic
Carl Zeiss 50mm/F2.8 lens
Carl Zeiss Tessar Snap-On Lenses 35mm and 115mm
2 exchangable film backs with darkslide for 35mm film
leather case

perfect condition, german camera craftmanship, rock solid!
shutter and light meter work like a charm. new battery px 625

Kiev 60*** S O L D ***

Kiev 60 body, waistlevelfinder and metered prism.
Arsat single coated lens, 80mm/F2.8.
Single coated lens gives the right “boom” in the mid tones. “VT style” so to speak :))
P6 bajonett mount, takes a wide range of Carl Zeiss and other lenses with P6 mount.

Prism has battery adaptor for regular LR44 cells.
Customized body, new seals, all times work perfect and film transport is adjusted for continuous regular gaps.

Excellent technical and “cosmetical” condition.

a really reliable workhorse, not so “diva” like the Pentacon Six TL. (no offence, just personal experience, I have the Pentacon too :))
sample image

Carl Zeiss Jena Biometar 120/f2.8

*** S O L D ***

Carl Zeiss Jena Biometar 120/f2.8
the “fuck me pumps lens” for your camera with P6 mount
fits for Pentacon Six, Kiev 60, Hartblei, Kiev 88 CM

excellent optical condition, some minor wear/working marks.

sample image

Mamiya Sekor C 45/F2.8

*** S O L D ***

Mamiya Sekor C 45/F2.8 (wide angle) incl. hood.
fits for all Mamyia 645 series cameras

Prices are in euro. Additional shipping costs depend of the destination.

Enquiries via comment here or via contact form

Thank you!

Click on the image below to access the website.

Have a great time,

Vernon

I have attended the live event via web last night and it was like sitting in front of the TV watching the lottery *g*

Nominated in “Nude” category: “Curb” with Kat Love

Nominated in “Still Life” category: “(/)”

Great work has been submitted overall and the nominees, as well as the winner get all my admiration and congratulation to their achievement.

Here’s the link to the event: Black and White Spider Awards

After a long journey, spanning 4 countries and 22 locations during a period of almost 12 months, my exhibition collection arrived safely back home with no damages or any losses.

30 images, matted and framed, each one 100cm on the long side.

It’s really nice to have them back, but pretty soon they will be on the road again… this time more east :)

Vernon Trent

After “Dive”, another publication in “View.Stern” magazine.
I was very pleased to find Kat published in the nude section of the magazine.

view.stern – October issue
feat. Model Kat Love

Have a nice weekend, take care.

Vernon Trent

Model Chat Du Soleil

last time
I made you up
you looked so bright
I was about
to believe in angels
we’re so far
from understand…

walk on
with hope
in your heart
and you’ll never
walk alone…

In the USA, the “Section 2257 law” dates from 1995. In recent months photographers have realized that it applies to photographers of the nude, to fashion photographers, to glamour photographers – to explicit nudity or subjects of eroticism or sexuality.

Effective March 18, 2009, Section 2257 expands via a new statute, §2257A, to encompass simulated activity and the entirely new “lascivious exhibition of genitals or the pubic area.”

“A Photographer’s Guide to Section 2257″ provides analysis of §2257, its statutes, and the regulations.

Stephen Haynes - A Photographers' Guide to Section 2257

Topics covered include :

1. What photographic subjects are covered and why,
2. What the law requires,
3. What records must be kept, and how,
4. What labels must be placed on photographs, how and when,
5. How photographers may expect to be inspected by federal authorities,
6. What the “Safe Harbor” certification is and how it may be acquired.

Includes an Appendix containing the full set of regulations implementing §2257 effective March 18.

Available at Lulu.com. More info here.

Stephen Haynes is a photographer and resident of Minneapolis, Minnesota. One of Univers d’Artistes‘ contributing editors, he is a highly respected artistic female nude photographer. He holds a law degree from the University of Chicago Law School and is now retired from legal practice.

Stephen Haynes blog: http://magicflutenudes.blogspot.com/

Cheers,

Vernon Trent

a leap forward
the universe
learned to expand
in time
and in space
humans
superior cynics
their world
is fashioned
they lose
sight of the way
no wonder
they don’t understand
the art
as expression
I will
still capture
my imaginations
and put them
in a pattern
so grand
and complex
forming
a world
sensitive
open
and strong…

—
conceptual shot with Model Lie.
Hasselblad 501CM, Planar 80mm/2.8
Fomapan 200
MACO Ecoprint (Agfa Neutol) 1:12@20°c
Blue toned print 30×30 cm

lived to love
retaining your magic
in my memory
your name’s beauty
in my hopeless eyes
time
stay forever
whiteness
from empty spaces
discovering
the world
on the ground
how contemptuously
laughted
the beauty at time
but unfortunately
the time
ruins also beauty…

—
conceptual shot with Model Lie.
Multiple exposures
Hasselblad 501CM, Planar 80mm/2.8
Fomapan 200
MACO Ecoprint (Agfa Neutol) 1:12@20°c

Hi Folks :)

Here we go with another “The Story Behind” journal and I’m pleased to reveal my thoughts behind the “Evolution Of A Movement” idea.

The idea came during a shoot with Kat Love. We went at a studio and during my preparations for light and camera settings, she presented different poses for my set.

Model: Kat Love

Well, that’s nothing new for us photographers, but I have noticed that her “transition” from one pose to the next was really fascinating to me. Yeah, this grace and let’s say “movement fluidity” burned the idea into my brain to capture this transition and movement into one frame using the multiple exposure technique.

Model Kiara

Since that day, everytime I have a studio shot I capture such “movement-study-shots” as well.
Just to experiment and create interesting stuff.
I’m really enjoying it!

I wish you a great week :)
Take care,
Vernon Trent

we don’t know
which way we are going
don’t know
where we are
find a way out
find a way home
look around
and find a way…

we live
in a time
where we’re all
gonna fall apart
chemicals
rising up
over the sun
a nuclear mind
junkies
addicted
evolution
human heart
creation
we’re gonna become
a nation of slaves…

… can’t find my way.